AFTER SCHOOL is presented in Budapest at Free School for Art Theory and Practice — by Luminița Apostu on

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In July 2011 the AFTER SCHOOL programme is presented at the Curating and the Educational Turn seminar organized by Free School for Art The...

OPEN CALL for ITA After School — by Luminița Apostu on

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. . .  Yes, it is starting! All of my friends, tutors and colleagues have already lost their patience waiting for this news. Well, it i...

A brief history of the initiation of Romania in the international world of contemporary art — by Luminița Apostu on

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. If you study art in Romania, and more importantly, if you make art in Romania or you're just curious about how things evolved here, t...

It happened inside a white cube — by Luminița Apostu on

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. UBU web has recently updated its video collection with the work of a Romanian artist. Mircea Cantor  is listed here with his project De...

The colors of today's art student: From coloring to colored — by Luminița Apostu on

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Before announcing the shift in student practices inside art schools, let's first look at what seems to happen with the art practice that...

Know UBU! — by Luminița Apostu on

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As someone once told me, you're no art student if you don't know UbuWeb . It is one of the most resourceful places on the web for...

10 Semiotics of the "Semiotics of the kitchen" — by Luminița Apostu on

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Today's art students and their re-enacted assignments Screenshot from: http://www.ubu.com/film/rosler_semiotics.html ...

The Art Student — by Luminița Apostu on

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This blog is and was a tribute to graduation impossibility. Like DeLillo's characters fear death in his book "White Noise",...

Taunting museums — by Luminița Apostu on

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No text at the moment, as this is fresh meat.

Post posting and the aesthetics of online behavior — by Luminița Apostu on

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Online addiction stopped scarring me that much at this point. But there's a realm one cannot ignore. What I seemingly find at ease is...

No Critical Attitude Allowed Regarding This Piece of Work — by Luminița Apostu on

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NO CRITICAL ATTITUDE ALLOWED REGARDING THIS PIECE OF WORK is a critical attitude in itself. Apart from restricting a basic act of art ...

Community Practices Facing Practical Communities — by Luminița Apostu on

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Approaching COMMUNITY [disambiguation] (this text is part of my documentation made for the Skills, Issues, Planning in Community Practices ...

Chasing Galleries in London — by Luminița Apostu on

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[May not be the best idea for an art student] Apart from being an exciting quest of finding specific locations on printed google maps, the j...

Art Studentship in Crisis — by Luminița Apostu on

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Under pretentious denominations you start building yourself a hierarchy of aspirations that are more unstable and more compromising than...

the day TATE died — by Luminița Apostu on

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I never thought it would happen so soon. Not only TATE, but my enthusiasm as well. It just went down together with the London U nderground. ...

taking position at the Table Talking? — by Luminița Apostu on

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TABLE TALK, galeria apARTe, Iasi, februarie 2008 press release TABLE TALK describes the counter-s cenario of an intellectual discourse reg...

Current practices - December clicking / linking — by Luminița Apostu on

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While losing myself between wiki, ubu and tate tabs, I try to imagine a set of rules that I could actually follow in order to practice a ...

Archive Item No 2 (t Asks) — by Luminița Apostu on

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t Asks

The Genius of The Crowd — by Luminița Apostu on

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The Genius of The Crowd by Charles Bukowski there is enough treachery, hatred violence absurdity in the average human bein...